Renderosity just selected me their #6 Favorite Artist of the Week!

I just got a really cool pat on the back from my saddle pals over at the Renderosity.com website. I maintain an online gallery over there (have since waaaaay bacck in 2001, if i recollect correctly). Anyway, as it says in the headline (talk about yer spoilers), they selected me as the #6 Favorite Artist of the Week.


This is based on the number of folks who added me to their Favorites list, the number of folks who commented on muh work, and things like that. I spelled it all out in detail over at muh other blog, Mike Mitchell Online. Mosey on over there if you'd like to take a gander at some of my non-Gutshot related artwork, and for more info about Renderosity's selection process.

UPDATE: During the next two weeks, I actually climbed as high as #2! Then slid back down to #3 on the daily charts. Needless to say, it was a fun ride while it lasted. And, who knows, I may just hit the charts again in the future!

Deadwood - Rex's Close-up...

Sorry for missing last Wednesday's post. I got tied up with a few work-related issues.

However, I actually did do some Deadwood art last week... but this time for someone else.  The publisher's of my 3D software were sponsoring a Portrait Contest, so I decided to continue my work with Rex and post it over at the Daz3D Web site. I'm not going to provide a link to the contest because you have to be a registered member of the forum to see it -- and I really don't think most of you are interested in registering for a forum just to see two images that I'm going to post here.

Rex -- Maybe he's had a little
too much moonshine?

This first WIP (Work In Progress) image that I created was trying to "show a little bit of crazy" in his eyes, but that actually became the problem. You see, I captured the crazy, but because I started with the image of him looking over his shoulder, his eyes didn't come out with an even expression. It just seemed a little off to me, so I redrew his eyes looking straight ahead (more or less). This just combined to make this an okay picture, but not a great one.

Rex - A little calmer... and maybe a little grumpier.

So I revisited the image and made some changes. I was in a time crunch, so I removed the mug of coffee from his hand (I had issues parenting it to his hand -- something all 3D artists recognize as a pain in the you-know-what). And I also changed his expression.

Unfortunately, I think I tamed him down too much. This a nice image, but it kind of lacks the immediacy and sheer character of the first one I did. In this one, however, I do like the way i combined the crosscut filter with the color better than I did with the straight b&w crosscut effect I used above.

As usual, the postwork effects were created in Photoshop with Flaming Pear's India Ink filter. I believe Filter Forge has a similar filter/plug-in, but I have not used it.

I haven't heard from the contest people at Daz, but I don't expect to win anything. This was really just an exercise and a chance to get some work out there.

Deadwood - Rex Sees Something

I took another stab at the Rex image from last week, and I'm still not happy with it. The composition and lighting are still way off.

Turning his head, Rex watched as a hideous shape
emerged from the shadows... a shape that was hauntingly familiar.

Now that I've got a decent contrast between his beard and shirt, I've got to increase the contrast between his shirt and britches. In color, they are too similar in tone. Right here, with this quick inking conversion, I compensated for that by using two different techniques: His upper body is Basket Weave and his lower body is inked with Cutline. Both of these are settings in the Photoshop India Ink filter by Flaming Pear. To get a clear look at the effects, click on the above image to see it full screen.

Right now I've got to decide if this image is worth pursuing, or if I should go back to my original idea of using the Wolf Willis character, instead. No matter what I do, though, the lighting and composition (i.e. how the figures are framed) need work.

Oh, and that fire pit looks HUGE at this angle. I definitely need to shrink it down a bit.

Deadwood - Rex Hears Something...

This week has been tied up with a lot of work and other projects, so I'm actually very  behind on creating art for the Night of the Living Deadwood book. However, I did get a start on a new image... one that's surprised me in more than a few ways.

You see, I originally pictured this scene with Wolf Willis, reaching for his pistol which would be in a gunbelt draped over the log. Instead, I found myself using a new character named Rex... an old frontiersman/prospector character with a bald head and a long beard. I also found myself using a lot more props this time around. Often, I add trees and logs in post-production (that is, I don't put them into the scene, but add them in Photoshop).

There was a noise behind him. Instinctively
his hand stretched out for his trusted Henry rifle...

The other images I've shown you were mostly completed (if used, some will be tweaked before being printed). But this time I decided to bring you in at the early stage and show you the first step in the process. This is a low-resolution, low-quality rendering of the basic scene. Right now I'm just putting things in their rough location and doing a rough pose on which to start building. In other words, this is the digital equivalent of a sketch.

As such, there's no ground, nothing around the tree, and most of all, nothing lurking between the trees. This is a simplified scene with just the basic elements that I need. For instance, I need the campfire for a light source (and it comes from a low angle, so that will make it more ominous). I need the log as something to lean the rifle up against. I could have it lying on the ground, but that would make it hard to see and that location would require him to lean over to reach it. Not practical for a still image. The tree behind him could be done in post (i.e. Photoshop), but I want it to be more solid, so I'm actually putting it into the scene. I will use it and the branches of the smaller tree to frame a zombie that is coming up behind him.

I'v already made a few decisions regarding changes:

• I need to shift our Point of View (POV) to our left and rotate it so we get a better look at Rex's face.
• I need to raise his arm so we can clearly see it reaching for the rifle
• I need to put a coffee cup in his right hand (just to give it something to do)
• And, if I have one, put a coffee pot in the fire (gotta explain what's in his cup)
• I need to alter the pose of his feet so they don't touch
• I might need to make his shirt darker so his beard stands out better

A closer view with different lighting. Things were way too bright
 in this scene, so I toned it down, as you can see in the render above.

Anyway, those are just a few of the thoughts I've had regarding this scene so far. Hopefully, I'll manage to get back to this before next week and show you how I've progressed. Until then... keep yer powder dry, saddle pals!

Deadwood - Art Preview: Hungry for Revenge

Arizona pulled back on the reins and the horse came to a gentle stop. She sat still in the saddle -- a few pebbles bounced on the ground -- the last movement from hooves on a rocky ground. Monty's tail made a gentle swishing sound and he cocked his head, wondering why they had stopped here, where there was no grass or water. Taking cues from his mistress, it sensed her anxiety and snorted, turning his head to look first one way, then another.

Arizona shushed the horse -- listening intently. At first, it was too quiet. Not even a buzz from flies or bugs. Then she heard it. Falling rocks... something dragging in the dirt, loosening a spray of pebbles and debris from the ridge to her right. And a shadow fell upon her then, but that wasn't why her skin turned to goosebumps and ice grew on her heart. The skin was rotting and dry, eyes sunken but still burning with hate. And if she had any doubt who it was, that vanished when she saw his hand. It was in a bar in Tombstone where she herself had cut off the little finger on his gun hand. Right before she gutted him.

Cole Black had risen from the dead... and he hungered for revenge.

Cole Black is back!
Click on image to see it full-size.

Another illustration for the upcoming miniatures game, GUTSHOT: NIGHT OF THE LIVING DEADWOOD. This time I experimented with a slightly different style. This isn't quite perfect, but I think it's a good direction. I will definitely be continuing my experiments down this avenue. As with other illustrations in this series, this is rendered in color in Daz Studio 4.6 and then converted to b&w in Photoshop.

I'm ready for my close-up!
Ugh. Not even a mother could love this face!

Tune in next wee for more glimpses of the dark side, as I continue to work on nailing down the look and feel of the artwork for our cowboys vs. zombies miniature game.

Deadwood - Zombie Crawling Revisited...

Another day, another creature feature!
Here's another take on our friendly fiend.

Last night I did a quick revisit on good ole Mr. Happy, and I must say, I'm happier with the results. I used a different technique on him -- splatters instead of basketweave -- and I like the results a lot more. I also got rid of that bad background.

This is a definite improvement. Next up, I'm going to take a look at making the edges rougher and maybe adding some rough hair. I'm also going to look at manually inking a version of it (or another image).

Stay tuned for more behind-the-scenes action.

Deadwood - Zombie Crawling

I hate to say it, but I think this week's testis another swing and a miss.

You wake from a deep sleep... the horses are skittish.
Something is rustling in the underbrush. You roll over, expecting
to see a raccoon or maybe a skunk. You never expected THIS!

There are a few things I like about this image, but just a few. There's something wrong with the way his torso is flowing down into his waist. Honestly, it looks like he's got really saggy boobs. I tried tweaking it, but never got the results I wanted.

I may just have to put this one down to being a bad pose and leave it at that. Also, I really cut corners on the background -- and it shows. The foreground tree is okay, but the background's tangled branches really don't work for me. Alas, I knew I was cutting corners when I did it and knew I wasn't going to fix it later. There just isn't time to spend on something you know isn't going to work out.

As before, this is the Mr. Happy character for the Michael 3 figure. All post work was completed in Photoshop, with the bulk of it being performed by the Flaming Pair India Ink filter.

NEXT WEEK -- Another attempt at another zombie.