Showing posts with label arnica real estate. Show all posts
Showing posts with label arnica real estate. Show all posts
Saturday, June 23, 2012
Arnica: Some Adobe buildings go on sale next week
Just thought I would give you guys a heads-up and let you know that 3-5 of the Arnica Real Estate Adobe buildings will be available for pre-sale next week.
We will definitely have:
- Casa Uno
- Casa Dos
- Cantina
We will probably have:
- Adobe Church
- Adobe Storefront
Not sure about the Belltower.
Here's a list of the buildings: http://arnicarealestate.com/cart_catHome.asp?ppcID=2
New photos will be added as they become available.
As I said, we just wanted to give fellow TMPers a heads-up on this cool upcoming release.
Thursday, May 3, 2012
Arnica Sneak Peak: New Shed Design
Not much to report right now. My thumb is getting better and I've resumed my normal work schedule of casting parts and tooling (i.e. sanding) them. Orders are shipping and things are moving forward. The position of the cut does make it hard to mix mold rubber, though. Silicon rubber is very thick and holding the mixing rod puts a lot of pressure on my thumb -- exactly on that cut. So I won't be making any new molds for a few more days, yet.
When it heals I'll be focusing on making replacement molds for a few damaged parts, as well as making extras of key parts (like the wall of the bank, for example -- right now I've only got one mold for both walls and a second wall would really come in handy). After that, I'll move on to making some new molds for some new buildings, including the long-awaited Adobe collection.
We'll also be offering a new building for a set of original designs I've started working on: The Miner's Camp. You see, when we add the adobe buildings to our set, we'll have most of the major buildings that you need to create a nice Western town. The keyword being "nice." I'd like to add some more buildings that aren't so nice, nor so big. In other words, I want to create a set of small shacks and shanties like those you might find in a mining camp.
Here's a look at the first building I've designed (which, obviously, is based on our current Attached Shed).
![]() |
| New Shed Design |
This photo shows the master pieces glued to a board that will serve as the basis of the master mold. As you can see, it will have a slopped roof with one end higher than the other. I'm hoping this will create a dramatic profile when compared to the other buildings in the town. Also, the flat roof (to the left) could serve as a place for outlaws to wait while ambushing people -- if the slope doesn't prove too steep, that is.
I'm also hoping that this model will offer a little variety to the various board & batten buildings we currently have. Also, it's a very small building, so it's low cost should prove to be popular. I've no idea yet when this will be released, but probably sometime this month. I'll keep you posted.
Remember, you can buy all of our Western Buildings at the Arnica Website.
See ya back next week for more behind-the-scenes fun.
Labels:
25mm miniatures,
arnica real estate,
gutshot,
resin casting,
western,
wild west
Thursday, April 19, 2012
Arnica: Lights, Camera... Bubbling Rubber!
I've been busy this week on all things Arnica Real Estate. Not only did I get the new mold for the Boardwalks made, I also made a replacement mold for the side walls to the board & batten buildings. These molds got ripped to shreds last Christmas. One wall went because of malfunctioning mold release agent and the other went due to an error mixing resin. Mostly, though, they went because they were old and had outlived their capacity.
While I was making that mold, I whipped out my trusty camera phone and shot a short video of what the rubber looks like while we're sucking the air out of it in the vacuum chamber. It's not much of a video (just 2 minutes), but I think you'll all get a kick out of watching the rubber bubble around as it "came alive."
If you'd like to watch it over at YouTube, Click Here.
More About Molds
You see, molds don't last forever. As they age they get brittle and lose the slickness that is necessary for the easy removal of the cured resin. Without this slickness, the mold fails and tears when you pull out the finished piece. One question that's been asked a lot is, "How long do these molds last?"
![]() |
| The Arnica Work Table |
Well, pilgrim, there ain't no good answer for that. You see, we use different types of silicone mold rubber and they each have different properties. As you can see in this picture, we use three types of rubber: purple, green and yellow.
Yeah, I know it's more of a teal or a turquoise or soa foam... I'm a guy working with chemicals and power tools. Right now, I'm just going to call it "green."
Each of these is slightly different. The yellow is made by a major company called Alumilite. We use their Quick Set Mold Silicone which sets in about half an hour (and completely solidifies in 4 hours). This is a good, fairly stiff rubber that is good for holding details and is justly famous for its long-life and durability. It's a bit expensive (the boardwalk mold had 410 grams of rubber and cost about $20 to make). That might not sound like much, but when you consider we've got 40+ molds... well, it adds up. We also have to be careful of that stiffness, as it can make it harder to de-mold smaller parts.
![]() |
| A look at the pump and the pot (vacuum chamber) |
The Green is the 2125 from MPK Enterprises. The company is run by a guy by the name of Mike, and he's one of the nicest and most helpful guys out there. You can reach him through his site at www.hobbysilicone.com. This particular silicone rubber is very flexible which makes it ideal for small parts like the awning posts you can see in the photo above. It also has the advantage of holding details very well. In addition to small pieces, we use it for some of the roofs, as the flexibility makes it easy to de-mold the large flat panels. Finally, it only runs about $10 a pound, so it's less expensive than the Alumilite.
The purple is the pleased spiritualist -- er, I mean "happy medium" between the two. We use MPK's Extra-Firm 135 because it's more flexibile than the Alumilite, but more rugged than the green. If I had to pick just one rubber to use for all occasions, I would choose the purple. Fortunately, I don't have to pick just one. As with any job, you need to use the right tool for the task at hand. Figuring out which rubber matches which mold master is a bit of an art, but I'm getting better at it.
Just as there are different molds for different situations, we use different resins for different applications. Come back next week and we'll talk more about why sometimes we use white resin and sometimes we use tan.
See ya then, amigos!
Tuesday, April 17, 2012
Arnica: Making a Replacement Mold
In case you didn't know, Hawgleg Publishing also manufactures and sells resin buildings to use while playing Gutshot. We sell these buildings under the name Arnica Real Estate (we inherited the name when we bought the Arnica line of buildings from Mark McGraw a few years aback). You can see the complete line of buildings over at www.arnicarealestate.com.
Right now we're only offering buildings from our Western Collection: http://www.arnicarealestate.com/cart_catHome.asp?ppcID=1 But I hope to start making some molds for the Adobe Collection later this week. Mosey on by the site to check out what we've got ready and what's next on the list.
Making buildings takes a lot of time and energy, as well as some specialized equipment. This week we launched a new Spring Reopening, so I'm working to fill orders and to replace some molds that have been damaged over the last year. One of the most important molds (at least in terms of sales) is for the boardwalks. There are three to a pack and, up until now, I've been operating with just two molds, and one of them actually tore across the bottom but is still usable. But, the truth is, it's gotten a bit rough and it needs to be retired. So, I need to make a new mold that will let me pour two boardwalks at a time (and with the other good Boardwalk mold I still have, I'll finally be able to pour a whole set at a single time).
Here's a quick photo strip of what I did tonight while making a new mold for the Boardwalks:
First I prepped the masters. They were already attached to the masonite board, so all I had to do was seal the edges.
You see, if there are any gaps between the resin master and the board, the rubber will seep into it and make it very hard to pull off the mold rubber after it solidifies.
The next thing I did was build a mold box around the masters. Now, I'm bound to get some criticism form people for how I do this. I know most people use wooden boards and either clay or epoxy to create the walls around the masters. That's not how I ride, pilgrim.
I use 3-inch wide painters masking tape to adhere 1-inch thick Styrofoam blocks around the masters. These form the box walls.
I use this method because the Styrofoam is light, but at this thickness won't bend or bow against the weight of the rubber once the box is full. The painters tape forms a perfect rubber-tight seal (I use special corner joints to make sure there are no gaps at those crucial points).
Once the box is built, I then heat Petroleum Jelly in the microwave oven for about 5 minutes at 70% power. This softens it enough to make it easier to brush on.
It is absolutely VITAL that every tiny bit of the master is coated with a thin layer of petroleum jelly. If the layer is too thick, you'll lose the wonderful detail in the wooden planks of the boardwalk. If it's not thick enough, though, the rubber will probably tear during the de-molding step (which we'll look at on Thursday), thus wasting your work and your mold rubber.
It's also important to coat the tape on the walls and the bottom of the mold. If you don't, tearing will almost certainly be in your future.
I took a picture of the next step, but you can't see it clearly enough to make it worth the effort to post it. The next step I take is to put a small 1/2 inch square wooden dowel along the edge of the box and mark a line with a pencil. I then put another one on top of that and mark again. This gives me two continuous pencil lines around the inside of the box to act as guides when I level the box after its full of rubber. I also use this line to make sure that my molds are at least a half-inch thick. Any less than that an there is a significant risk of tearing the mold as you work with it.
Next up, I get out the mold rubber (in this case, Alumilite Quick Set) and mix it according to instructions (I'll discuss this more at a later date). Then it goes into the Vacuum Chamber. This is a vital step because mixing the rubber introduces a lot of air into it. Air can lead to bubbles which can lead to ruined molds. Our Vacuum Chamber is not your typical kitchen food-saver. This is a powerful 1/3 horse power motor capable of creating a pure vacuum.
Once there is no air in the aluminum chamber, the mold rubber loses its surface tension, rises up about 2 inches and begins to "boil."
This is a COOL thing to watch. The thick goo looks a lot like pancake batter (with this rubber, it's particularly pancake-like because of its color and the way the bubbles pop on the surface). The bubbles keep roiling about until I finally break the vacuum and let the air back into the chamber. I actually took a video of this through the top of the chamber's clear lid. I'll post it to YouTube some time in the future.
By the way, yes that is dried resin in the bottom of the pot. I had an accident two weeks ago and the boiling resin overflowed the cup. I keep meaning to clean it up, but I keep getting sidetracked.
After the resin has been degassed, I pour it into the mold box. The painters tape ad the Styrofoam walls hold up perfectly. Sorry I don't have any photos of me actually pouring the rubber, but it's sticky and I needed both hands to get the rubber into the box. In other words, I didn't want to get sticky rubber all over my camera phone!
Also, the pencil lines I mentioned help me level the mold as it cures. This particular type of silicon rubber takes about 4 hours to cure. However, I prefer to let it set for at least 12+ hours before I consider demolding it, and I won't use it for 24-48 hours, as that helps it cure more thoroughly.
It is very important to level the mold as the silicon rubber cures (i.e. hardens). If you don't, then the mold will be lopsided and every time I pour resin into it the final items won't be flat: one side will be thicker than the other. And that, of course, just ain't how we roll. The final step is to use a vibrator (the big type for your neck or back) on the table to help it jostle loose any bubbles that might be trapped below the surface. This is just a precaution as the degassing step removed most of them. This last vibro-step is "just in case" some air got caught beneath the undercut of the edge of the boardwalk.
If you'd like to take a gander at what we're going to make with this mold, you can see (and buy) it here: http://www.arnicarealestate.com/cart_detail.asp?ppID=22
See ya Thursday for the demolding, and the first pour!
Right now we're only offering buildings from our Western Collection: http://www.arnicarealestate.com/cart_catHome.asp?ppcID=1 But I hope to start making some molds for the Adobe Collection later this week. Mosey on by the site to check out what we've got ready and what's next on the list.
Making buildings takes a lot of time and energy, as well as some specialized equipment. This week we launched a new Spring Reopening, so I'm working to fill orders and to replace some molds that have been damaged over the last year. One of the most important molds (at least in terms of sales) is for the boardwalks. There are three to a pack and, up until now, I've been operating with just two molds, and one of them actually tore across the bottom but is still usable. But, the truth is, it's gotten a bit rough and it needs to be retired. So, I need to make a new mold that will let me pour two boardwalks at a time (and with the other good Boardwalk mold I still have, I'll finally be able to pour a whole set at a single time).
Here's a quick photo strip of what I did tonight while making a new mold for the Boardwalks:
![]() |
| Two resin masters glued to a board. |
You see, if there are any gaps between the resin master and the board, the rubber will seep into it and make it very hard to pull off the mold rubber after it solidifies.
![]() |
| Painters Tape seals it, the walls add structure. |
I use 3-inch wide painters masking tape to adhere 1-inch thick Styrofoam blocks around the masters. These form the box walls.
I use this method because the Styrofoam is light, but at this thickness won't bend or bow against the weight of the rubber once the box is full. The painters tape forms a perfect rubber-tight seal (I use special corner joints to make sure there are no gaps at those crucial points).
![]() |
| Be careful to brush into the wood grain. |
I cannot stress the importance of this step!
It is absolutely VITAL that every tiny bit of the master is coated with a thin layer of petroleum jelly. If the layer is too thick, you'll lose the wonderful detail in the wooden planks of the boardwalk. If it's not thick enough, though, the rubber will probably tear during the de-molding step (which we'll look at on Thursday), thus wasting your work and your mold rubber.
![]() |
| No kitchen is complete without a vacuum pump! |
I took a picture of the next step, but you can't see it clearly enough to make it worth the effort to post it. The next step I take is to put a small 1/2 inch square wooden dowel along the edge of the box and mark a line with a pencil. I then put another one on top of that and mark again. This gives me two continuous pencil lines around the inside of the box to act as guides when I level the box after its full of rubber. I also use this line to make sure that my molds are at least a half-inch thick. Any less than that an there is a significant risk of tearing the mold as you work with it.
Next up, I get out the mold rubber (in this case, Alumilite Quick Set) and mix it according to instructions (I'll discuss this more at a later date). Then it goes into the Vacuum Chamber. This is a vital step because mixing the rubber introduces a lot of air into it. Air can lead to bubbles which can lead to ruined molds. Our Vacuum Chamber is not your typical kitchen food-saver. This is a powerful 1/3 horse power motor capable of creating a pure vacuum.
![]() |
| In a vacuum, no one can hear you bubble. |
This is a COOL thing to watch. The thick goo looks a lot like pancake batter (with this rubber, it's particularly pancake-like because of its color and the way the bubbles pop on the surface). The bubbles keep roiling about until I finally break the vacuum and let the air back into the chamber. I actually took a video of this through the top of the chamber's clear lid. I'll post it to YouTube some time in the future.
By the way, yes that is dried resin in the bottom of the pot. I had an accident two weeks ago and the boiling resin overflowed the cup. I keep meaning to clean it up, but I keep getting sidetracked.
![]() |
| It must sit flat. |
Also, the pencil lines I mentioned help me level the mold as it cures. This particular type of silicon rubber takes about 4 hours to cure. However, I prefer to let it set for at least 12+ hours before I consider demolding it, and I won't use it for 24-48 hours, as that helps it cure more thoroughly.
It is very important to level the mold as the silicon rubber cures (i.e. hardens). If you don't, then the mold will be lopsided and every time I pour resin into it the final items won't be flat: one side will be thicker than the other. And that, of course, just ain't how we roll. The final step is to use a vibrator (the big type for your neck or back) on the table to help it jostle loose any bubbles that might be trapped below the surface. This is just a precaution as the degassing step removed most of them. This last vibro-step is "just in case" some air got caught beneath the undercut of the edge of the boardwalk.
If you'd like to take a gander at what we're going to make with this mold, you can see (and buy) it here: http://www.arnicarealestate.com/cart_detail.asp?ppID=22
See ya Thursday for the demolding, and the first pour!
Labels:
Alumilite,
arnica real estate,
mold making,
Quick-Set,
resin casting
Thursday, April 12, 2012
Arnica Store (briefly) open...
Howdy from Arnica!
You’re getting this email because you have ordered from us in the past or you have asked to be placed on our mailing list. If you’re the former, thanks amigo! If you’re the latter, then welcome aboard!
I wanted to let you know that we’ve opened the shop for a few days to clear out some inventory (we made some buildings for a convention that we wound up canceling), so we have some pieces ready. We’re also ready to buy some more rubber so we can cast some new molds. Our plan is to duplicate the existing molds and ship them to Murphy so he and I can share the workload and, thus get more buildings out there. Plus, if he’s filling orders then I can focus on getting new stuff ready. This process is long overdue
The shop is open right now to accept orders. Every available item has a “Buy Now” button in front of it.
FAIR WARNING: There’s nothing new from the last time you ordered (sorry, but there are no adobe buildings available yet). I just wanted to give you first crack at ordering before we announce it to the general public.
Mike Mitchell
Hawgleg/Arnica
www.arnicarealestate.com
PS: If you have a discount coming to you from a previous order, please do NOT use the shopping cart to check out. Just send me a list of what you want and I will then send you a custom invoice from PayPal. It’s the best way for me to include your discount.
Labels:
25mm miniatures,
arnica real estate,
gaming,
gutshot,
miniatures
Sunday, September 27, 2009
Arnica: Vacuum Chamber Report
As many of you may recall, we recently bought a 3-gallon vacuum chamber for degassing resin and silicone rubber. I just thought I'd give you a quick report and let you know that I'm VERY happy with this purchase.
RESIN
We're using both 5-minute and 10-minute curing resin, and so far I'm thrilled with the results. I can mix as aggressively as I want without fear of working air into the mix. Once it's all mixed (and looking quite milky), I pop it in the chamber and in less than 3 minutes it rises (bubbling ferociously), then collapses back down. Then it quickly starts a rolling boil (this happens when the chamber achieves a complete vacuum registering -30 inches), at which point I turn it off and slowly let the air vent back in. I remove the lid and my resin looks like crystal clear honey. I'm amazed at how clear it is. I pour it into the molds, run a thin stick or blade through some very tight spots (the cross bar on windows, deep & thin areas around door frames) and then sit back and watch it quickly cure. When I demold, there are no bubbles against the surface, and very seldom any on the back.
SILICONE
The resin is nice, but this is what I really bought it for. I'd been having lots of trouble with bubbles in my silicone. Right now I'm using silicone with a 45-minute pot life, so I've got plenty of time to pour, mix, and pour on the master, and mix more if I need it. Again, I can mix as aggressively as I like. I've tried using an electric mixer, but have not been satisfied with the results.
Now, the resin only doubles in size during the degassing process, so I can really do a lot if I want to (but I don't because I like to take my time pouring). But the silicone more than triples its size. Since I'm using 16-oz disposable plastic cups right now, I've found that I can put in about 130-140 grams of rubber and catalyst. More than that risks a serious mess because the rubber would overflow the container. Even at this amount I've occasionally had to vent the chamber (open the valve to let in a little air) to keep it from overflowing.
I'll tell ya, when the silicone is degassing, it's incredible to watch. It looks like some sort of mutant alien sponge that throbs and pulses with something that looks like it's got a heartbeat. It's really creepy looking, but in a cool way. If I were filming a movie, this is exactly what I would use for some sort of alien life form.
When it's degassed, I add I carefully pour it into the corner of the prepared mold box. Following a variety of advice I've received (including Michael over at www.moldmakingsilicone.com), I take the time to carefully brush the rubber over the master, pushing the rubber into thin and tight spaces. I also work it up in corners and other tight locations. Once I'm sure I've done a good job of pushing the rubber into the details, I think add more rubber. Because I'm using 45-minute pot life rubber, I can easily pour a second (or third) cup of rubber, degas it and then add it to the mold box. This helps me get the proper thickness I want for each mold.
So far, the molds have been amazingly bubble free. In fact, I've only seen three bubbles so far, and I know they came from me pouring the rubber too fast.
I know many of you have not had problems with bubbles, and there's been some speculation that I'm getting them because I live in a very humid part of Texas. I also know that $400 is an expensive tool for anyone's budget. But the fact remains, so far I'm thrilled with the vacuum chamber we bought and I fully believe it will pay for itself by helping prevent bad molds and bad resin pours.
By the way, if you're interested in looking at the vacuum chamber we bought, here's a link to the seller on ebay:
http://shop.ebay.com/pvac-1526/m.html?_nkw=&_armrs=1&_from=&_ipg=
RESIN
We're using both 5-minute and 10-minute curing resin, and so far I'm thrilled with the results. I can mix as aggressively as I want without fear of working air into the mix. Once it's all mixed (and looking quite milky), I pop it in the chamber and in less than 3 minutes it rises (bubbling ferociously), then collapses back down. Then it quickly starts a rolling boil (this happens when the chamber achieves a complete vacuum registering -30 inches), at which point I turn it off and slowly let the air vent back in. I remove the lid and my resin looks like crystal clear honey. I'm amazed at how clear it is. I pour it into the molds, run a thin stick or blade through some very tight spots (the cross bar on windows, deep & thin areas around door frames) and then sit back and watch it quickly cure. When I demold, there are no bubbles against the surface, and very seldom any on the back.
SILICONE
The resin is nice, but this is what I really bought it for. I'd been having lots of trouble with bubbles in my silicone. Right now I'm using silicone with a 45-minute pot life, so I've got plenty of time to pour, mix, and pour on the master, and mix more if I need it. Again, I can mix as aggressively as I like. I've tried using an electric mixer, but have not been satisfied with the results.
Now, the resin only doubles in size during the degassing process, so I can really do a lot if I want to (but I don't because I like to take my time pouring). But the silicone more than triples its size. Since I'm using 16-oz disposable plastic cups right now, I've found that I can put in about 130-140 grams of rubber and catalyst. More than that risks a serious mess because the rubber would overflow the container. Even at this amount I've occasionally had to vent the chamber (open the valve to let in a little air) to keep it from overflowing.
I'll tell ya, when the silicone is degassing, it's incredible to watch. It looks like some sort of mutant alien sponge that throbs and pulses with something that looks like it's got a heartbeat. It's really creepy looking, but in a cool way. If I were filming a movie, this is exactly what I would use for some sort of alien life form.
When it's degassed, I add I carefully pour it into the corner of the prepared mold box. Following a variety of advice I've received (including Michael over at www.moldmakingsilicone.com), I take the time to carefully brush the rubber over the master, pushing the rubber into thin and tight spaces. I also work it up in corners and other tight locations. Once I'm sure I've done a good job of pushing the rubber into the details, I think add more rubber. Because I'm using 45-minute pot life rubber, I can easily pour a second (or third) cup of rubber, degas it and then add it to the mold box. This helps me get the proper thickness I want for each mold.
So far, the molds have been amazingly bubble free. In fact, I've only seen three bubbles so far, and I know they came from me pouring the rubber too fast.
I know many of you have not had problems with bubbles, and there's been some speculation that I'm getting them because I live in a very humid part of Texas. I also know that $400 is an expensive tool for anyone's budget. But the fact remains, so far I'm thrilled with the vacuum chamber we bought and I fully believe it will pay for itself by helping prevent bad molds and bad resin pours.
By the way, if you're interested in looking at the vacuum chamber we bought, here's a link to the seller on ebay:
http://shop.ebay.com/pvac-1526/m.html?_nkw=&_armrs=1&_from=&_ipg=
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